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Victory Over the Sun
The Futurist opera Victory over the Sun, first staged in 1913 in St Petersburg, was a key...
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The Futurist opera Victory over the Sun, first staged in 1913 in St Petersburg, was a key event of the Russian avant-garde, notorious for its libretto, its unconventional score and its pioneering abstract sets and costumes designed by Kazimir Malevich. The iconic importance of Victory over the Sun as a theatrical event is universally acknowledged. This volume brings together the first fully annotated translation of the libretto of this 'anti-opera' and other important primary source materials, including the score, the set and costume designs and contemporary newspaper reviews. The second part of the volume provides a wide-ranging collection of interpretive essays which explore the artistic, literary and musical dimensions of the staging, its theatrical and historical context, its relationship to Italian Futurism, and its position within the Russian modernist movement.
Author: Rosamund Bartlett
ISBN-10: 0859898393
ISBN-13: 9780859898393
Publisher: University of Exeter Press
Language: English
Published: 05/15/2012
Pages: 360
Format: Hardcover
Weight: 1.85lbs
Size: 9.50h x 6.50w x 1.20d
Author: Rosamund Bartlett
ISBN-10: 0859898393
ISBN-13: 9780859898393
Publisher: University of Exeter Press
Language: English
Published: 05/15/2012
Pages: 360
Format: Hardcover
Weight: 1.85lbs
Size: 9.50h x 6.50w x 1.20d
About the Author
Rosamund Bartlett is Visiting Professor at Rose Bruford College of Theatre and Performance and Visiting Research Fellow in the Music Department at King's College London. She is the author and editor of several books, including Wagner and Russia (1995), Shostakovich in Context (2000) and biographies of Tolstoy and Chekhov, whose works she has also translated. Sarah Dadswell is a cultural historian specializing in performance and an Honorary Research Fellow in the Department of Drama at Exeter. Her doctoral thesis on the emergence and development of Russian Futurist performance 1910-1914 (University of Sheffield) formed part of an inter-institutional AHRB project, entitled 'Russian Visual Arts, 1863-1913: Documents from the British Library Collection', conducted by the Universities of Exeter and Sheffield.
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